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PIECING
TOGETHER THE CANON OF ANCIENT NEAR EASTERN ART by
using the lion and prey image as indicator |
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BACKGROUND 1. General Introduction 2. Archaeology and the Rise and Fall of AncNME
Civilisations |
Goddess As Lioness Chs. 4
& 21 |
Piecing Together the
Canon of ancient near eastern Art (canea)
By sequencing images
next to the Lion & Prey Chs. 1, 17, 18, 22 |
God as Bull Chs. 3 & 20 |
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3. The domestication of animals in the wild and
their cults 4. The half-taming of the cat family and its mythology CATALOGUES OF EVIDENCE (Click on centre square link) 5.-12. The Compositional types |
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SYNTHESES 13. Geographical Spread and Chronological
Overview |
Distribution in Time
and Place Ch.13 |
The Lion Attacking Bull
Image Tradition versus Invention Ch.15
Click here for Chapters
5-12 |
Art Historical
Overview Chs
.14 & 16 |
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14. Overview of compositional types and their
phasing |
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15. Observation and Invention versus Tradition in
Lion and Bull Imagery 16. Art History of the Amalgamated Catalogue |
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THE CANON OF ANCIENT NEAR
EASTERN ART [CANEA] 17. Piecing together the Ancient Near Eastern
Canon |
The Iconography of
Ancient Astronomy Ch.19
3-D Zodiac Sculptures |
Archaeology and the
rise and fall of AncNME Civilisations Ch.2 |
Works Displaying the entire CANEA Cycle Ch.17 |
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18. Previous Interpretations 19. The Iconography of Ancient Astronomy 20. The God as Bull 21. The Goddess as Lioness 22. Final Interpretation of the Ancient Near
Eastern Canon |
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Appendices/Bibliography/Index |
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